“I don’t think she was happy,” answered Joan. “She was at first. As a child, I can remember her singing and laughing about the house, and she liked always to have people about her. Until her illness came. It changed her very much. But my father was gentleness itself, to the end.” “I’m sorry,” she continued; “awfully sorry, old girl. It’s a bit of rotten bad luck for both of you. You were just made for one another. And Fate, knowing what was coming, bustles round and gets hold of poor, silly Mrs. Phillips so as to be able to say ‘Yah.’”!

It was some time before she fell asleep. The high glass faced her as she lay in bed. She could not get away from the idea that it was her mother’s face that every now and then she saw reflected there. Joan recounted the episode—so far as the doorstep.

Mud! that seemed to be the one word with which to describe modern war. Mud everywhere! Mud ankle-deep upon the roads; mud into which you sank up to your knees the moment you stepped off it; tents and huts to which you waded through the mud, avoiding the slimy gangways on which you slipped and fell; mud-bespattered men, mud-bespattered horses, little donkeys, looking as if they had been sculptured out of mud, struggling up and down the light railways that every now and then would disappear and be lost beneath the mud; guns and wagons groaning through the mud; lorries and ambulances, that in the darkness had swerved from the straight course, overturned and lying abandoned in the mud, motor-cyclists ploughing swift furrows through the mud, rolling it back in liquid streams each side of them; staff cars rushing screaming through the mud, followed by a rushing fountain of mud; serried ranks of muddy men stamping through the mud with steady rhythm, moving through a rain of mud, rising upward from the ground; long lines of motor-buses filled with a mass of muddy humanity packed shoulder to shoulder, rumbling ever through the endless mud. She turned down the Embankment after leaving the house. She always found the river strong and restful. So it was not only bad women that needed to be afraid of themselves—even to the most high-class young woman, with letters after her name, and altruistic interests: even to her, also, the longing for the lover’s clasp. Flossie had been right. Mother Nature was not to be flouted of her children—not even of her new daughters; to them, likewise, the family trait. He came in a little later and, seating himself between them, filled and lighted his pipe. Looking back, Joan remembered that curiously none of them had spoken. Mary had turned at the sound of his key in the door. She seemed to be watching him intently; but it was too dark to notice her expression. He pulled at his pipe till it was well alight and then removed it.